STORIES
ABOUT ALVARS AND RAMANUJA SAMPRADAYA
ATMA-TATTVA PRABHU
There were twelve Alvars who appeared in
South India. Not all at the same time,
but over a period of several centuries.
They established the basis of the Krsna bhakti cult in the Kali-yuga.
The appearance of such great devotees in
the Kali-yuga is predicted in the Srimad-Bhagavatam. Srimad-Bhagavatam was spoken at the beginning
of the Kali-yuga, and when Krsna left this planet then he took with Him dharma. The Vedic dharma at that point disappeared,
or became invalid, and spiritual knowledge was also obscured. But it says in the same verse that Lord Krsna
left the Srimad Bhagavatam for the people in Kali-yuga to get light out of. Now
still, the book Bhagavata was there but they also needed the person Bhagavata,
or one who lives the Srimad-Bhagavatam. In other words, they needed the
spiritual master.
So in the initial stage of Kali-yuga,
the first few centuries, these twelve Alvars appeared in South India, and
actually established the basis of what would later on become the four Vaisnava
sampradayas. The four sampradayas all
had their origin in South India, and the founders of these sampradayas each in
their own way drew, to a greater or lesser extent, from this tradition of the
Alvars, especially in the Laksmi sampradaya, but it is also there in our
sampradaya too, and in the others. The
Radha Krsna cult is the further development of the devotional tendency of
loving God in close fellowship and in the spirit and relation of a woman to her
husband or lover. This tendency is
striking in the Prabandham of the Alvars.
Goda, the famous woman Alvar, is said to have been married to the Deity
Ranganath of the Sri Rangam temple. Tondaredipodi Alvar (Bhaktanghri Renu in
Sanskrit) expresses in his Tirup Palliyeducci (Paramatmar Jagarana in Sanskrit)
that to serve and love God one's spiritual body is the summum bonum of one's
service to God.
One of the Alvars was known as
Bhaktisara. So he was living at Sri
Rangam, and he was living very very simply, like a babaji. So he would sit at Sri Rangam. Around the temple are 7 walls, and between
the walls are some areas like streets where people would walk and live. So Bhaktisara would sit in that street area,
or in the courtyard of the temple, and he would sit in the sun and sew his
cloth. He wore old old cloth, and he
would sew it and maintain it until practically speaking it was unwearable, and
only then would he go and find some new old cloth. And because he purposely kept himself
impoverished, he used to sew it with a broom-straw, this would be his needle.
And on the end of it he would tie a thread.
Then he would take his old torn garment and sew it. So he used to be seen often, sitting
somewhere in the Sri Rangam complex sewing his cloth. One day Lord Siva and
Parvati were flying over the sky just above the earth. By flying like this,
their shadow was cast upon the ground.
So wherever this shadow would fall, naturally people became very
enlivened in their material desires. But
when the shadow fell on Bhaktisara, they stopped and observed him. Bhaktisara was sewing, and then he looked
around and saw this shadow. He could understand that this shadow is inspiring
one to have material desires. So thinking, "This is inauspicious," he
moved out of the shadow. Parvati turned
to Lord Siva and said, "What is this?
Everyone else is so eager that we may give benediction, that they
rejoice if they catch sight of us or if our shadow falls on them. But this person is moving out of the
shadow. What does this mean?" Lord Siva replied, "He is a great Visnu
bhakta. We have no business with
him. He doesn't need anything from
us." Parvati said, "No no no.
Everyone wants something from us. Everybody has material desires and wants them
fulfilled. Let us go down
there." So they went down there,
Parvati and Siva, and they appeared before Bhaktisara, who was just sewing his
cloth. So then Parvati, who was standing
behind Lord Siva said, "Offer him heaven." Lord Siva said, "My
dear devotee of the Lord, we have come down before you to give you a
benediction, so I am offering you the svarga, the heavenly world. You may go
there." Bhaktisara didn't even look
up, he just kept on sewing and ignored them.
So then Parvati said, "Offer him the post of Lord Brahma." Bhaktisara
ignored this also, and continued sewing his cloth. Parvati was becoming more and more agitated,
so she said, "Offer him a form just like yourself." So Lord Siva said, "So will you take a
form or a position just like mine?"
Then Bhaktisara looked up and said, "You've already got enough
trouble." He was referring to the
fact that although he was the great Lord Siva, he was still being pushed around
by Parvati. So then Parvati said,
"He must ask something from us. So
just tell him to ask for a benediction."
Lord Siva said, "All right, if you don't want any of these things I
am offering, then you pick something, because you must take a benediction from
us." So then Bhaktisara said,
"Well, give me liberation from material existence." Lord Siva said,
"That's one thing I can't give." Lord Siva himself says mukti pradata
sarvesam visnu eva na samsaya. One who wants mukti has to approach Lord
Visnu. So he was caught in an
embarrassing situation when Bhaktisara asked for something he could not give. "I'm sorry, but this is something that I
cannot give." Bhaktisara said,
"Then what is the use? What is the
use of you and your benedictions?" Lord Siva said, "You must take
something from us, because we have come to offer you a benediction."
"All right," Bhaktisara said.
"While I sew, the thread is always coming off the needle, because
that is only a broomstraw. So you please
make some arrangement that this thread becomes attached to the back of the
straw so I can finish sewing my cloth."
At this, Parvati became enraged.
"He's insulting you! You can
give him the universe, and he's asking for such a minuscule thing. This is an
insult. You must do something." So
then Lord Siva opened his third eye, and a tongue of flame came out towards
Bhaktisara. Bhaktisara saw this tongue of flame coming, so he pressed his foot
to the ground, and from where he pressed his foot an even greater flame came
out, devoured that flame from Lord Siva's eye, and started to pursue Lord Siva.
Lord Siva was running around Sri Rangam temple with this fire following him. So
he went before the deity of Ranganath and prayed, "My dear Lord, I have
made a great mistake today by offending your devotee. Please help me." So the Lord instantly
conjured a Vaikuntha cloud, and this was raining a kind of nectar. Because it was a Vaikuntha cloud, within a
very short time the whole area of Sri Rangam was totally flooded. In this way the fire of Bhaktisara was
extinguished, but the whole temple was covered, like a big lake. Then suddenly Bhaktisara appeared on top of
the lake, like a cork. He was just
sitting on top of the water still sewing his cloth. Very quickly the water subsided. Lord Siva appeared before Bhaktisara and
blessed him. He gave him this name. Bhakti means devotion, and sara means
essence. So this name means, "the
essence of devotion." Lord Siva
said, "Your attitude and devotion to Lord Visnu is the essence of
devotion, because even if Lord Siva comes, you do not want anything from him,
although all the materialists are desiring." Another time there was a
shuktihara, a magician flying through the sky on his tiger. Bhaktisara was again sitting sewing his
cloth. And then when he flew over
Bhaktisara, his tiger couldn't stay in the sky, it fell to the ground. He came
down to earth, and he was wondering, "What is this? Why can't we fly here?" And then he saw Bhaktisara, and he could
understand, "Oh, it must be by the influence of this saintly person that
my magic is rendered null and void."
The magician became pleased, because he could understand "He is
very very advanced. He is so pure that
this kind of mystic jugglery I am doing does not function in his
presence." So being very pleased
with him, he wanted to reward him. He
took from his shoulders a very very expensive ornamental cloth that he was
wearing. You can just imagine, he's a
wizard so he's got to be dressed really far out. It had gold sewn into it and diamonds and
rubies and emeralds all over it. So he
took it off, and he presented it to Bhaktisara, "You please accept
this." As soon as the cloth touched
Bhaktisara's hand, it was transformed into an old rag with holes, the type
which Bhaktisara was accustomed to wear.
Something fit for Bhaktisara to wear.
And then Bhaktisara took his cloth that he had been wearing, and gave it
to this shuktihara, and as soon as the shuktihara took it, the cloth became
like molten diamonds, like a diamond jelly.
It was very valuable, and the shuktihara was very pleased to receive
this.
The fourth Alvar was called Goda. She was an incarnation of Bhu-Laksmi. One day when Visnucitta was doing his
gardening, he heard the cry of a baby from his tulasi garden. He went in there and under the tulasi plant
he found this baby. He took her and
brought her to his home. Up till now,
Visnucitta was a naisthika brahmacari and a babaji. He had no family life. And now there was this small baby and it was
a girl. So he went around in the village
and told the matajis, "Please come and take care of this child." So they took care of the child. Since his
service was gardening and he was collecting many flowers, her service was
making flower garlands. She used to make
a garland, give it to him, and he would take it to the deity. One day when he came back to the house, he
arrived a little early. Usually the
garland was ready and was kept in a basket and take, but today he came ten
minutes earlier. And while coming, he
just peeped in through the window to see what was happening with the service,
and he saw this young girl standing in front of the mirror, and she was wearing
the flower garland, and she was smiling.
So Visnucitta burst in the door.
"What have you done?" he yelled. "Great offence! This flower is for the enjoyment of Visnu,
and you are a jiva, a living entity. You should not take anything which is not
enjoyed by him firsthand, and this has made a great offence. Now you have become disqualified to do this
service any more. I won't take these garlands from you." So then he ran
out on to the street, and he was begging so many other people, "It's time
for darsana, and I have to offer a flower garland. Can you make something?" So then all of them sat together and made a
nice flower garland and he took it, and went into the temple. At the end of the puja he offered it to the
deity but it broke and fell off. Then he
had to arrange for another garland to be made. That also broke. One more was made and that broke too. Then he
gave up. He laid down and he was crying,
"What is happening? " So then
the deity came in his dream and told him, "I will only accept that garland
which has already been worn by your daughter, and other garlands I will not
accept." So he went to his daughter and said, "You please make a
flower garland, wear it and then give it to me." Then she said, "But it is bhoga! I am not supposed to wear it." Visnucitta said, "I am so confused. I don't know.
I have established Visnu as the Supreme Person, and now I don't know
what this philosophy is." So then she said, "I was only wearing it to
see in the mirror how it will look on the deity, because I am of the same
height as the deity. I am making this garland, it is thick in here, it is going
thinner and thinner, and then there are two lotus flowers at the end. So I wanted to see how it would look on the
Lord's body. That was what I was
checking, but you said I have done offence. What can I do?" Then he said, "This is even higher philosophy. You please do like this, give it to me and I
will offer." This was going on. And
one day he called his daughter and said, "I was taking bath in the well,
and I overheard a neighbour say, 'This babaji has got a daughter from
somewhere. She is already of age and he is not thinking of her marriage.' So I have to get you married to
someone." So she said, "Don't
mention human beings! They're ugly, they're not beautiful people. Who will suit my beauty?" So then he
said, "I will describe to you some beautiful people." Then he gave a description of different
deities. When he was describing the
beauty of Ranganatha in Sri Rangam she said, "I would marry this
person." So then he said,
"Look my dear child, I was just joking.
You cannot marry Him, He is a deity." So she said, "If I can give Him a flower
garland, what is the difficulty for me in marrying Him?" He said, "That is because He is so
merciful that somehow He is accepting your service, because you were only
checking that it was all right. But
don't have this dream. This is against
our philosophy, so don't think like this."
Then she said, "Well if I can't marry Him I won't marry
anyone." So the problem continued.
And then one day the priests of the temple came to Visnucitta and said,
"We had an instruction in our dream that from Sri Rangam the deity is
sending His priest to carry your daughter from here, and we are supposed to go,
and you should also come because there is a marriage and the muhurta is at such
and such hour, on this day, in this city..." And then Visnucitta said, "What happened
to all of you? Now you are having a dream that she is marrying the deity in Sri
Rangam, and she has been saying this already.
Don't tell this to my daughter, she is already confused. And go away from here." Then they said, "Well we came here to
give you the instruction from the Lord."
And somehow he drove them away. Then he saw there was a big procession
coming from Sri Rangam. Palanquins,
camaras, umbrellas, and they were all asking, "Who is Visnucitta? Where is he?" He went up and said, "I am Visnucitta." They asked him, "Where is your
daughter? She should sit in this
palanquin, and you should come. Marriage
is coming close."
"Marriage? With whom?"
asked Visnucitta. "With Ranganath
deity," the priests answered.
"Deity getting married? Who
ever heard of that? You're all priests,
have you ever heard of that?" They
said, "We know that Ranganath is the Supreme Lord, and He is saying this,
so who are we to argue with Him, "You are a deity so You cannot get
married." We cannot do that. You only just established Him as the Absolute
Truth, so how can you make argument with Him?" "All right then," Visnucitta
said. So Goda was brought to Sri Rangam.
On the way she dreamed the marriage, and she was composing these poems which describe
the marriage, and when she was singing these songs Visnucitta was getting more
and more confused. "She's seeing
everything, how the marriage of the Lord will happen." Finally when they arrived they went three
times around the compound wall of the temple, and as they entered she got down
from the palanquin, shook her cloth and cleaned herself. And they told her, "You go pay
obeisances to the Lord." So she
walked to pay obeisances, and she kept on walking. So then Visnucitta started screaming,
"Wait! Stop there! You have to pay obeisances there! No closer!" She kept on walking, and
again he said, "Stop!" but still she kept going. Visnucitta was
half-fainting. Then she went
inside. There was the coils of the snake
on which the Lord was sleeping. She
stepped on it, and Visnucitta fainted.
Someone was trying to wake him up, and when he woke up again he saw that
she had climbed on the snake coil, and was sitting on the snake. She had her hands on the feet of Visnu, and
she was giving massage. He fainted again.
The next time he woke up there was no Goda. She had gone back to Godhead.
Kalidvamsa, or Nila, was one of the
Alvars. His story is particularly
relevant to us, because his background was very, very fallen before he became a
devotee of the Lord. How he became a
devotee is also very interesting. Kalidvamsa means "destroyer of the
influence of Kali." He was known by
this name after he became a devotee. But previously he was known as Nila which
referred to his very dark complexion. He
was fifth class, mleccha. He was of the
Dravidian race, a South Indian race which can be extremely black-skinned and
such persons who are very black are considered to be low-class. But he was also of very strong body, very
tall and very muscular. He had learned
in his youth all the arts of fighting.
Sword, spear, wrestling, boxing, he was extremely formidable. And he
gathered around him a crew of particularly dangerous persons, who became like
his gang. In those days, at the beginning of the Kali-yuga, mystical powers
were a lot more prominent. One of his mates
had the ability to hide in his own shadow. Another one had the ability to pick
any kind of lock or defensive mechanism, and he could do this very
quickly. He had the ability to
understand, just by looking, how the mechanism worked, and by a few deft
movements of the hand it would come apart.
And he could enter that place, steal whatever he wanted, and upon
leaving he could reassemble the lock so that no one would know that someone had
been there. The third friend had the ability to silently kill anyone. By secret means, very silently, he could take
a person's life. So these were Nila's friends. They formed a very fearsome
crew, and people were very afraid of them.
The king of that region decided that the best policy with Nila was to
employ him. So they engaged him as being the tax-collector for that district,
and he was very effective. No-one dared
hold back when Nila and his boys came to collect taxes for the government. Now,
just outside that village where Nila was staying, there was one bathing tank,
one pond and this was a place that was very beautiful, very special. So special that from time to time damsels
from heaven would come down and also bathe there. So one day one young girl, who had come down
with some other ladies from the heavenly planets was left there. One doctor from the village who was walking
by saw this very beautiful young girl.
He could immediately understand, due to her exquisitely beautiful
features, that she wasn't from the region, and he asked, "Who are
you?" And she answered," I
don't know." Apparently she had suffered some kind of amnesia, and
couldn't return to the heavenly planets.
So the doctor asked the little girl to come with him, and he took her
home, and introduced her to his wife, who was automatically very much taken by
the little girl. She said, "Let us raise her as our daughter." So
they kept her at home, and since she was a young lady, she did not go out of
the house. If she wanted to go outside,
she would just go up to the roof. That was the system in those days, because
unmarried girls should not mix with society. So one day she was up on the roof,
and Nila happened to come down the street, in front of the house, on his way
somewhere. One point about Nila was that
he was very much engaged in sense gratification, a very rowdy fellow, a boozer
and a woman hunter. He was carousing
around on the street below, and when he happened to look up he saw this very
beautiful girl. Immediately he was
smitten with love for her, and he knocked on the door of the doctor's house.
The doctor appeared at the door of the house and saw Nila standing there.
"Oh," he said, "what can I do for you?" Nila replied, "I have just seen your
beautiful daughter, and I want to ask her to be my wife." The doctor said, "Well it's not really
in my power to give her to you as wife." Normally it's the father turning
over the daughter to the would-be husband, but the doctor said, "It's not
really up to me, because actually she's not my daughter. It appears to me that she's come from
heaven. But you could ask her yourself
if she would like to become your wife."
So he brought the girl down. Her
name was Kemuda, which means, "lotus." Nila proposed to her, "Let me take you
as wife." He began to describe some
of his qualifications to the girl.
"You see this fist? This fist can punch and kill 500 people at
once." Like this he was praising
himself, and she was giggling shyly to herself, and she said, "I'm not
interested in such things. If you want
to marry me, you have to become a Vaisnava." Because Nila was so much
taken by the girl, he said, "Yes yes, no problem. I will become a Vaisnava." He had no idea of what a Vaisnava was, he had
no idea what the word meant, but he just knew vaguely that a Vaisnava had
something to do with the temple. He had
never gone to the big temple that was in that area, he had never had any
interest in it, but he'd heard this word Vaisnava used in connection with the
temple. Declaring he would immediately
become a Vaisnava, he ran off in the direction of the temple. He came in, and told the priest, the head
Brahmin, "I want to become a Vaisnava." The Brahmin said, "Ok,
so you know that a Vaisnava is completely surrendered to Lord Visnu." "Yes yes yes," Nila said. "You know that a Vaisnava is only
engaged in service to Visnu and other Vaisnavas?" " Yeah yeah, no problem," Nila
replied. "Well all right,"
said the Brahmin. "You're sure you
want to be a Vaisnava?" "Of
course," Nila said. So then the priest took the garland from the deity and
placed it around Nila's neck, and Nila came back very proudly to the doctor's
house, and showed Kemuda that he was wearing the garland from the deity. "Now I am a Vaisnava," he
said. But she said, "It is not
enough just to officially be a Vaisnava.
You have to act like one. If you
want to marry me, then for one year you have to feed 1000 Vaisnavas every day,
wash their feet, and drink the water."
"All right," he said.
So then he went and got his mates.
"Got a job for you," he said.
"Oh great! What is it?"
they said, rubbing their hands in anticipation. And then he explained,
"Each day for the next year I want you to go out and fetch 1000 Vaisnavas,
bring them here, and then we'll feed them. Then you should wash their feet and
bring the water to me so I can drink it." His mates looked at him and
said, "Are you feeling all right."
Nila said, "Well look, if you don't get into this right now then
you're not going to be feeling all right."
So then, just as they were accustomed to do any other job, they did this
job in the same fashion. They went
running out onto the street armed with many weapons, and whenever they saw a
Vaisnava they would immediately grab him by the scruff of his neck, and herd
him into Nila's place, shouting, "Come on, let's go! Move it!" And these Vaisnavas would be saying,
"What's happening?" "Now
sit down there in a line," Nila's boys would say. And then they would come with the pots and
slap the prasadam down in front of them. "Eat!" The Vaisnavas would nervously take
prasadam. "Eat more!" They would make sure all the Vaisnavas were
filled up. And then they would come with
foot washing paraphernalia. "Stick
out your foot!" And then they would
bring a big barrel of caranamrta to Nila, and he would scull it like a tankard.
Pour it down his throat, wipe his mouth with the back of his hand and throw the
barrel. So gradually by performing this service he began to transform. Actually, saintly qualities began to manifest
in his person. And furthermore, he became very attached to this service to the
Vaisnavas. In the end he did marry
Kemuda, but that was no longer his motivation for doing the service, he just
liked to do it. He found it very sweet
and enlivening. He became so enthusiastic for making arrangements for feeding
1000 Vaisnavas every day. You can just imagine his service was naturally
increasing. The feast was becoming more
and more opulent, the foot bathing ceremony became more and more opulent. In
this way he was liberally spending money, until eventually he was out of cash,
and he still hadn't completed his year's service. In any case, he had no
intention to stop after a year now. He
just wanted to go on and on. So what to
do, he had no more money with which to arrange for the feasts. But he had recently gathered together tax
revenue to give to the king, and that was still at his place, a huge sum of
money. So he just started to spend that
and continued on with his service. Now,
meanwhile the king was expecting the tax money to be brought to his treasury
house and it wasn't coming. So he was
asking his ministers, "What's going on? Why hasn't Nila brought the
money?" And then one minister said,
"Well we have heard that this Nila is daily putting on huge feasts for the
Vaisnavas, and it's becoming quite an opulent affair. Maybe that's where the money's going."
The king was flabbergasted.
"What?" And he
immediately called for his commander-in-chief (senapati) the great general of
his army, and with some soldiers, the commander-in-chief went to Nila's village
to investigate and if necessary arrest Nila, and recover whatever tax money had
not yet been wasted. So the commander-in-chief came and challenged Nila,
announcing the purpose of his arrival.
"I have come to investigate your doings," and he started to
become very official with him. So one thing led to another, and there was a big
fight, in which Nila soundly trounced the commander-in-chief and his
soldiers. Because he was now, so to
speak, a saintly person, he did not kill them but he gave them a severe
beating. And he told the
commander-in-chief as he was running off, "You can tell your king to come
here personally if he likes, and I'll pay him the same tax as I paid
you!" So the commander-in-chief
reported this to the king, and the king very angrily amassed his whole army and
marched on that village. Nila met them in battle, and defeated the whole
army. At the end of the battle Nila was
standing on the king's chest, and the king was laying out on the battlefield.
Nila was on his chest looking down at him saying, "That tax money I took,
that was a loan, right?" And the
king said, "Right!" But the
king's ministers were there, his Brahmins, and they began to address Nila.
"Certainly you are very powerful. you can defeat the king and his whole
army. But that doesn't make what you are
doing right. You have taken funds that
were meant for the king's use, and the king's property is sacred. It is not to be violated by anyone for any
purpose. So because you have done this
you have broken the law and you must be punished." So when the Brahmins
were speaking to him in that way, because he had become purified he surrendered
to them. "OK, if I have done wrong
then I must be punished. What sort of
punishment should I receive?" The
Brahmins said, "You should go in the jail." Nila submitted. Although by force of arms he could
not be captured, simply by logical argument and sastric evidence he
surrendered. So he entered the prison of
the king, but there of course he could no longer perform his service, so he
became very, very unhappy and he prayed to Lord Visnu, "I just want to
serve you. I don't see how I can do it
here in jail." So Visnu appeared to him and told him, "You meet with
the king and get him to transport you to Kancipuram, and at the direction of
Varadaraja you will find treasure, and this treasure will be so much that you
will be able to pay the king what you owe him, and use the rest for your
service." So then Nila spoke to the
king, he got the king's audience and explained the situation. The king sent him under guard to Kancipuram,
and somehow the deity guided him to a particular spot and when he dug he found
a great mass of treasure. So he brought
that back to the king and offered to give what he owed him, but the king was so
amazed that Lord Visnu Himself had shown Nila where the treasure was, that he said,
"Who am I to stand in your way? If
Lord Visnu is talking to you directly, then you must be a great
soul." And then he let him go. So
then Nila embarked on a new scheme.
"There are so many rich vaisyas," he was saying to his mates,
"They've got so much money. I see
them transporting their goods here and there in caravans. And actually it's their duty to give
donations to the service of the Vaisnavas, but they are not doing this. And here we are, we're having to worry about
how to fund our project of serving the devotees, and these vaisyas are just
going here and there, using their wealth as the they like, so let us get it
from them. We will stop these caravans
on lonely stretches of highway in the forest.
We'll be nice, we'll ask them first of all if they would like to give a
donation, but if they don't then we'll simply take everything." So they
began this new scheme, and of course attached vaisyas never give donations
willingly, so they always ended up having to tie them up and plunder the caravan,
strip everything, and that they were utilizing as their wealth for serving the
vaisnavas. So one night they were going
to plunder, and down the road came a very big caravan of 30 bullock carts, and
at the head of the caravan was a very wonderful looking young merchant, and
also his wife who was very beautiful, and they were dressed in all kinds of
opulent finery, jewellery and crowns. The bullock carts were also being driven
by servants who were equally opulent and wonderful in their appearance. So Nila
stepped out on the road and stopped the whole procession, and he saw the
opulence of the merchant and his wife and their caravan, and he remarked,
"Well my dear sir, you look to be very very wealthy." And the merchant smiled and said, "Yes,
actually all wealth is mine." So
Nila kind of laughed and turned to his mates, "Ha ha ha. We've really got
a live tonight! Well if all wealth is yours then you won't mind parting with
some of it." And the merchant
smiled and said, "Yes, but my wealth is only engaged in Vaisnava
seva." So then they said,
"Well that's very nice because I am a vaisnava. So I'm sure you'll be happy to give me your
wealth." The merchant smiled again
and said` "Well, I won't give you." "So you want to fight?"
Nila asked. "No, you just take,
said the merchant. "You are free to take, but I am not going to
give." "All right," said
Nila, "Let's go." So they tied them all up, as they normally did, and
they stripped the bullock carts, and not only that but they also took all the
finery from the merchant and his wife and their servants, all the jewels,
everything. And the wife's foot, on her
toe, there was on ring with a valuable gem in it. So Nila was trying to personally pull this
ring off her toe, but it wouldn't come off. Finally he had to kneel down and
bite the ring, to change it's shape a little bit so it would slip off. And
while he was doing that, his consciousness was flooding with all sorts of
wonderful ecstatic realizations. But he was so much absorbed and determined to
get this ring off that he really didn't take much note of it. And then he
finally pulled the ring off, and all the wealth was piled together, and he and
his men were going to carry it off, but they couldn't lift it. It was so heavy. So then he turned to the merchant and said,
"I think you must have some mantra by which you move your wealth about,
because obviously it is somehow charmed that it cannot be moved." And then the merchant said, "Yes, there
is a secret mantra." "You'd
better tell me," Nila demanded.
"All right, just come close," the merchant said. So then he whispered in Nila's ear, "Om
namo narayanayah." And when Nila
heard this mantra he realized that this merchant and His wife were none other
that Laksmi and Narayana, and he saw them in their original forms. So then he
fell down at Their lotus feet, but because he was so furiously engaged in his
devotional service, Nila quickly sprang up and said, "All right, look,
we've gotta go. We'll see you tomorrow, OK" And then They said, "All right, you come
here tomorrow. We can talk
further." So then Nila ran off with
the wealth, and continued with his service.
The next day he came back to that place in the forest, and Laksmi and
Narayana were there, and he worshipped Them.
They were very pleased with him for his service to the Vaisnavas, but he
declared to Them, "I'm always having trouble getting money to do this
service, therefore I'm always having to plunder merchants, and I don't know
where all this is going to lead. So do
you have any suggestion where I can get wealth from?" And Lord Narayana
said, "Well actually, there are so many Buddha temples around, and Buddha
is My avatar, but He only came to preach to the atheists. However, these Buddha
temples have become quite opulent. So I
don't mind if you plunder these Buddhist temples." Nila was very happy. "Well actually I
was thinking the same thing myself. But
if I get Your permission, then that's wonderful." "Yes, you have My permission," the
Lord said. So then, when his wealth again ran out, then Nila and his monks went
one night to a huge Buddhist monastery where 10,000 monks were living. And in that temple there was a huge reclining
Buddha made out of solid gold. His men
were using their various mystic powers to get them into the temple. Nila was standing guard just outside the
temple door, and his men were in there at work, trying to dislodge the deity
and bring it out. So, while doing this
they set off an alarm, and then the Buddhists came tumbling out of their beds
and rushing into the temple courtyard.
They were all armed, and all very expert at martial arts. So what ensued next was like something from a
kung-fu movie. All these Buddhist monks
were jumping at Nila, and he was kicking them back and fighting them off. And he was calling into the temple, "Hey
hurry up! Are you done in there?"
But meanwhile his men were having difficulty, because they found that the murti
was charmed, so as soon as they touched it to remove it, it started to spin,
faster and faster like a helicopter propeller, from the middle point, and a
huge heavy golden idol spinning like that, they couldn't get close to it. So then they were calling out to Nila,
"We can't take this because it's spinning.
It's charmed." So then Nila,
while he was fighting off these men, he called out, "Well, just pass
urine!" So they passed urine in there, and this broke the spell. The murti stopped, and they could shoulder
it. They were obviously very strong
persons, and they ran out with it. Nila
was fighting with the Buddhists, and then they
went running through the night with the Buddhists pursuing them. Nila and his men went to Sri Rangam, a great
Visnu temple. There is a great wall
around it like a fortress, and they closed the door so the Buddhists couldn't
enter. The Buddhists then went to the king and complained. The king was again in a difficult situation
having to deal with Nila, so he called Nila in and said, "Nila, we have a
little problem here. These Buddhists
have accused you of stealing their murti.
I'm the king here, I have to keep everyone happy. So I'd really appreciate it if you could
return this murti." Some of the
Buddhist leaders were also standing there, looking at Nila rather intensely. So
Nila said, "Don't worry, don't worry.
In two weeks I'll return this murti to you, not less than a
finger." Everyone was happy. "All right, we can wait two weeks."
So then two weeks came, and the Buddhists gathered at the meeting place where
Nila was to return the murti, but when they arrived they saw only Nila and his
men there, and no murti. They became a
little nervous. "Well, where's our
Buddha?" Nila reached into his
pocket and pulled out a finger, a golden finger. "Here it is," he said, "not
less than a finger." The Buddhists
became very angry, and there was a big fight.
Nila defeated them and forced them to become Vaisnavas, forcibly
converted them. And what he had done
with that golden murti is that he had melted it down and used it to cover the
dome above Lord Ranganatha. Nowadays you can go to Sri Rangaksetra, and if you
talk to the right people you can go up to a look-out place on top of the temple
and see this very ornate solid gold dome, very huge. This was melted down from the Buddha murti by
Nila. In this way Nila became a very
prominent Vaisnava of his time, and by force of arms if necessary he drove out
the influence of Kali-yuga in his area.
Everyone had to become a Vaisnava, he converted everyone. As he used to collect taxes, so wherever he
would go everyone would become a Vaisnava immediately. And when there was a festival at Sri
Rangaksetra, they would take the deity in procession, and Nila would march in
front of the deity with his sword out, he would be looking from left to right
at everyone. And when he was asked,
"What are you doing? You look so
fearsome with your sword out, looking so scrutinizingly at everyone's
face," and his answer would be, "Yes. Any offender I see will be
chopped." So it was a rather intense mood in those festivals. He was the enforcer of Vaisnava-dharma. In spite
of the influence of Kali-yuga which is so powerful to sweep away all proper
religious principles, this devotee Nila, in South India, by the force of his
devotion as well as the force of his strong arms and use of weapons, he
instituted Vaisnavism. By pleasing the
Vaisnavas, he got the darsana of Laksmi-Narayana. Actually this pastime when he was plundering
their caravan, and in particular taking the ring from the lotus toe of Laksmi,
this is actually where the Laksmi sampradaya started. Ramanuja later
established the Laksmi sampradaya with siddhanta, Vedantic conclusions, but the
devotional line actually starts here with Nila taking the ring from Laksmi's
toe.
There is one incident which happened in
Benares about 300 years ago. There was
one Brahmin who used to go take bath in Manikarnika-ghat, a very nice bathing
place. So one day when he was taking
bath he saw a young boy sitting on the steps crying. He felt very compassionate and he went and
took the young boy on his lap and asked, "You look so beautiful, a nice
attractive young boy. Why are you crying
like this?" "You look at my
back," the boy replied. So when the
Brahmin lifted up the young boy's shirt and looked at his back, he saw so many
cuts and blood was running. The man was
very angry, and he asked, "Who did this to you?" The boy said, "I will show you. Come with me." The man was all wet, he was halfway through
taking bath, but he caught hold of the boy's hand, and the boy was pulling him.
They went through the streets and into the village of Benares, through small
alleys and lanes, and they came in front of one small house. The boy said, "The man who lives in
here, he's the one who did it to me."
And as the man looked, he realized that it was his own house. When he looked back, the boy had gone. So the Brahmin went inside his house, sat
down and began to cry. So his wife came and asked him, "What happened to
you? Why are you crying? You are all wet." And he said, "I
saw this beautiful boy, he was so attractive, but he had cuts all over his
back. And he said that someone from this
house did it to him. I don't know who
did this. Why did he say it was someone
from this house?" His wife said,
"Tomorrow you go to the same place and maybe he will come again. This
could be some god, some Devata." So the next day he went, and he saw that
the same boy was there, and he was still crying. He went to him and said, "My dear child,
you said that the person who did this came from my house? What did you mean?" The boy replied,
"You look in your Bhagavad-gita and you will find out." And while saying that he disappeared. So the man returned to his house, took out
his Bhagavad-gita and began to study it.
He had been learning Bhagavad-gita a few months before, and he had
thought some verses were important, and he was thinking that this place was
connected with another place, so he was making markings on the Bhagavad-gita. And while making the markings sometimes he
would underline something. So then he went to his guru. He told the whole story, and then asked his
teacher to explain what was happening.
His guru told him, "My dear student, how many times have I told you
that this Bhagavad-gita is Krsna Himself.
It is His own energy. So why are you cutting and drawing and doing all
this on the Bhagavad-gita verses? In
this way you have offended the Lord, and that is why He is teaching you this
lesson." The Brahmin said,
"Oh, I am feeling very bad. I will
never do this again." and he begged for forgiveness. The next day when he
came to take bath he saw that the boy was again sitting there, but he was
smiling. He came to the boy and fell at
His feet, saying, "Oh, I am very sorry I have done this. Although You are a small boy, you have taught
me a great lesson." So then the boy
got up and said, "Yes, I am a very small boy, but you must know that I
spoke Bhagavad-gita, and that Gita is mine." And then the boy disappeared. Soon the man
left his study and everything, and according to the people's conception he
became a madman. He was always calling,
"Krsna!" and running here and there, and in this way he ended his
life. Nobody knew what happened to
him. The house is still there. You can still see that house, and the book is
still there, and you can see the markings too.
In South-west India in the state known
as Kerala, there is a famous Vaisnava temple situated near the sea-coast. This Guru-vayur temple is very ancient. It
was founded by Lord Parasurama. There
was one Brahmin living there, but he was not a Vaisnava. He was tantric, he had mystic powers. But he was a good man, he used those powers
for helping others. He was also known as
a great poet. So one day a relative came
to him with a very terrible disease, and although he had been practically
everywhere, no one could give him help to cure this disease. The Bhattahari
tried to treat the disease in every way he knew, but nothing worked. So finally out of compassion, because he was
a good man, he took the disease upon himself, he transferred it. This much he could do. So in this way the relative was cured, but
now he had the problem. And he was
thinking, "By having this disease in myself I'll definitely be forced to
deal with it and I'll arrive at some kind of cure." But whatever he tried would not work, so he
was getting himself into serious difficulty.
He then went to one wise man, a great sage, and implored him, "I
have this disease. I have exhausted all
means available to my knowledge how to cure it.
So what can I do?" This wise man replied with a mysterious answer,
which the Bhattahari did not understand.
He said, "Start to enjoy from fish." The Bhattahari went away perplexed, and he
was sitting at home thinking, "What does this mean, start to enjoy from
fish?" So one of his friends came
to visit. "Have you been to see this wise man?" He asked.
"Yes, have seen him,"
the Bhattahari replied. "Well, what did he say?" "He said, 'start to enjoy from
fish.' I don't know what this
means. If this means that I should eat
fish, that I will not do, because I am a Brahmin." His friend thought about it and said,
"No, I don't think he means that. I
think he means that you should start to enjoy Krsna's pastimes, starting with
Matsya, the fish incarnation." So the Bhattahari was thinking, "Yes,
this must be the meaning, but I am not a Vaisnava. I have no taste for this. How will I do this?" In that state of mind he took rest, and the
Lord of Guru-vayur, the deity who is four-handed, appeared to him in a dream
and told him, "I want you to write a nice poetic composition of 100 verses,
and in these 100 verses you describe and glorify these 10 avatars." So he awoke from that dream feeling very
happy and ecstatic. The Lord was
personally giving him direction on how to 'start to enjoy from fish,' and his
doubts were cleared away. So then he began his composition, but because he did
not have training as a devotee, he was still perplexed. He was referring to Srimad-Bhagavatam, but
still perplexity would sometimes arise in his mind. So he would go before the deity in the temple
and pray, "My dear Lord, I want to put in my poem exactly how You were
moving when You were fighting with the demon Hiranyakasipu in Your Nrsimha
form, and I cannot pick this up from reading Srimad-Bhagavatam, so how can I
describe this ?" The deity then
revealed that form to his eyes only, and the Lord was moving in such a
way. The Brahmin was describing as he
was seeing. He also wanted to know about Krsna's breaking the pot and stealing
the butter and yoghurt of the older gopis.
"With what were You breaking the pots?" the Bhattahari
inquired. "Was it Your flute, or
something else?" So then the Lord
showed Himself as Krsna holding a butter-churning rod. "With this I was breaking the
pot." So he put that all in his
poem, all these specialized details. So the poem, which was called
"Narayaniyam", was very beautiful, and he recited this poem after he
finished it before the deity in the temple.
The result of this recitation was that his disease immediately
disappeared. And not only that, but the
poem was so pleasing that the temple Brahmins immediately requested, "You
please recite this poem daily, at the first darsana." So they gave him a
place to sit, a special asana, and he would recite there every morning. As a
matter of fact, the poem was so much appreciated that every morning before
going to see the deity, the people would gather in that place before his asana
and listen to the recitation. It became
the custom that you could not go to see the deity unless you heard this poem
glorifying the pastimes of the Lord.
Then only could one appreciate seeing the form of the Lord. This was the idea. And at that time in the
area of Kerala, there were three kings.
Kerala was divided into three kingdoms, and the Guru-vayur Mandir was
the beloved Mandir of all three kings.
So they would come together to have darsana in the morning and they
would also be there to hear the Narayaniyam from the Bhattahari. In this way he became very important, very
much respected as a Vaisnava, and an authority on Krsna-lila. Unfortunately he
also became a little bit proud by this attention that everyone was paying.
There was one farmer named Pundaram, a simple farmer, but he was also a great
devotee of the Lord. So he wrote one
book in glorification of the deity of the Guru-vayur Mandir, and this book was
called, in the Malayan language, "A Pot of Knowledge." He was thinking after he wrote that book,
"Let this glorification of the Lord of Guru-vayur also become
well-known. But since I am a simple
farmer, not recognized by anyone as a great scholar, if the Bhattahari himself
would write an introduction to my book then it would be accepted." So
thinking like that, Pundaram came to the Bhattahari, and very humbly he
respectfully approached the Bhattahari.
"I very much appreciate your Narayaniyam, you have very rightly
become respected by everyone for you glorification of the Lord. Now I have also written one book, so will you
please read it? And could you please
just write some small introduction?"
So the Bhattahari, thinking himself most important, said, "What
language have you written this book in?" because he noticed that Pundaram
was addressing him in Malayan, which is simply the local dialect of
Kerala. But in those days, any kind of
learned, literary work would only be written in Sanskrit. All over India that was the standard. Sanskrit was the language of literature, and
educated persons would speak in Sanskrit, whereas farmers and simple people
would speak in local dialects. This
farmer Pundaram was speaking to Bhattahari in Malayan, so he wanted to know,
"What language have you written this book in?" And the farmer replied, "In
Malayan." "I won't read any
book written in this language. You write
it in Sanskrit if you want me to read it. What are you asking?" Pundaram
was crushed. He was thinking, "I am
lucky to know Malayan, let alone Sanskrit.
This much I can write," and he went away feeling very disheartened.
"How will I ever get this book rendered into Sanskrit? It won't be possible. No one will know
it." So the next morning the Bhattahari was seated on his asana, and the
crowd was there, the kings were there. He was just ready to let fly with his
Narayaniyam, when one young brahmacari came in through the entrance of the
temple. The brahmacari just walked
around the crowd of exalted personalities, without even looking at the
Bhattahari. He walked right up to the
deity at the front of the temple, paid his obeisances and then stood there and
took darsana. He then turned around and
again walked past the crowd towards the entrance to make his way out. The
Bhattahari was watching the whole thing, and then as he saw that the brahmacari
was just going to walk right out, he said, "Come here young man!" The
people all insisted that the young man come, so he came and stood before the
Bhattahari. The Bhattahari was giving
him advice. "My dear young
man," he said. "You are simply
a young brahmacari student. You should
show respect for your elders, especially those who have knowledge to give, and
yet I see that you are just coming in this temple, you are walking around such
exalted personalities as even the three Kerala kings, and you're going straight
up to take darsana of the deity, which none of these personalities will do
without hearing me recite my poem. So
what kind of behaviour is this?" The brahmacari then said, "If I want
to know about the pastimes of the Lord, I just go see Him, because He is
displaying them eternally. Why should I
hear your mistake-ridden poetry?"
The Bhattahari was shocked!
"How can you say my poetry is mistake-ridden? Everyone here, there are exalted Brahmins,
there are learned court panditas, there are the kings themselves here, and
they're all praising my poetry as being the very cream of all poems. And you're saying it's filled with
mistakes! You, little fellow? Not even
come out of the Gurukula yet! So I
imagine you are also competent to correct these mistakes, isn't it?" And the brahmacari said,
"Yes." "At least in this
way, you will give my poetry a hearing.
So I will recite now. You listen,
and if you find some mistake, you can say.
Hm!" So the brahmacari said, "Yes, all right." The Bhattahari began. He recited the first verse, and everyone was
completely silent. He was just ready to
go on to the second verse when the brahmacari spoke up. He pointed out five faults in the first
verse, and actually they were valid criticisms.
Somehow or other no one had noticed these five faults in the first
verse, but he pointed them out with such profound conclusive grammatical
analysis that no one could argue.
"Well yes, actually he's right.
Why didn't we see that?" So the Bhattahari cleared his throat and
then he began to recite the second verse.
He was just about to go on to the third, but the brahmacari pointed out
ten faults in the second verse. Everyone
was starting to look at each other doubtfully.
The Bhattahari was becoming nervous, but he gritted his teeth and
recited the third verse in which the boy pointed out fifteen faults. In the
fourth verse he pointed out twenty, the fifth verse twenty-five, and the
Bhattahari did not try to recite the sixth verse. He stopped there. The crowd was milling
around and talking to each other.
"What is this? Every morning
we're listening to this poem, but it's so filled with mistakes. How can we be so foolish?" Then they just went to see the deity, and the
Bhattahari was just left there. The
brahmacari just walked off. As the Bhattahari was sitting there, he was
stunned. "What has happened?"
And then he felt the disease coming back.
Then he was really disturbed.
"What is happening now?"
And then he went before the deity, and he was praying very earnestly,
"My dear Lord, how is this possible?
My poem was praised by everyone, and now one young boy has found
faults. And this disease has come
back. What does all this mean?" So
then the deity spoke to him. "Whose
poem did you say that was?" The
Bhattahari answered, "I guess I said it was my poem." "This is your problem," said the
Lord. "First of all, I told you to
write that poem, and secondly even when you could not do that, I had to show
you Myself what to put in that poem. So
if I also come personally in the form of a young brahmacari and criticize My
own poem, is there any harm in that?" The Bhattahari then realized who the
brahmacari was, and he felt very ashamed. "Yes, my Lord. If You want to criticize Your own poem, Your
own poem, You can do that. It's a fact." "Only I can criticize My own
composition," the Lord said.
"No one else can do that."
But the Bhattahari was still confused. "But now this disease has
come back. What is the cause of
this?" The deity replied,
"Because you are an offender against Vaisnavas, My servants." "Who is that?" the Bhattahari
asked. "The farmer Pundaram. You have dealt with him most
arrogantly." The Bhattahari
immediately felt very sorry, and the deity told him, "You go, and bring
him to the temple and have him read his composition before Me. Just as you are doing every morning, you have
him do this. You arrange this." So
the Bhattahari ran like a flash, found Pundaram and fell at his feet. Pundaram
was very surprised. "The Bhattahari
is falling at my feet? What is
this?" "Please you come,"
said the Bhattahari. "Bring your book, and recite it for the
deity." So Pundaram was very happy.
They came to the temple, and Pundaram was going to recite when the other
Brahmins, who were also arrogant, the pujaris who take care of the deity, they
interfered. "Wait a minute, wait a
minute. We can't have some farmer coming
in here and just spouting something off in the presence if the deity." The
Bhattahari said, "But the Lord Himself has told me that this must
be." "Well," said the Brahmins, "we won't argue with that,
we know you. But this person, what is
his qualification? He must be
trained. He cannot just start spewing
forth something. We must see that he is
capable of reciting nicely." So then they decided to teach him the
recitation of Visnu-sahasra-nama. This
they were reciting daily for the deity, this was the standard glorification for
the deity in that temple. So they sat
him down and began the recitation, and they were having him recite along. They reached the word
"Padmanabhamaram". Padmanabha means "lotus navel." And amaram means "deathless". So in other words the eternal form of the
Lord who has a lotus-like navel is being praised by this particular name. But
when Pundaram pronounced that name, he muddled it together.
"Padmanamomaram." So by
pronouncing it like that, other meanings come out, but not the ones that are
traditionally accepted. The Brahmins
immediately stopped the whole thing. "What are you saying?
Padmanamomaram! This is improper
pronunciation. Do you know what this
means? You are saying that the Lord is the Lord of the dead, that He's the Lord
of the trees or of the mortal human beings.
This is offensive! He is the Lord
of Vaikuntha, He has nothing to do with the ignorant beings of this world. This
is very degrading to describe Krsna like this." In this way they were
chastising him. Suddenly the deity spoke
aloud, and everyone stopped. "If I
am not the Lord of the dead, if I am not the Lord of the trees, if I am not the
Lord of the mortal human beings, then who is?" The Brahmins had nothing to
say. So to this day, when you visit the Guru-vayur Mandir, the Brahmins are
still reciting Visnu-sahasra-nama. But
when they come to that name, they pronounce it as Pundaram pronounced it,
because that pleased the deity. This is
an irregular pronunciation, but they also say "Padmanamomaram", and
they all look at the deity just to see that He is satisfied before they go on.
So this Guru-vayur murti, and also Sri Rangam, they came later on to those
places, although they were worshipped from the beginning of creation by Lord
Brahma. Lord Rama gave Bibhishana the
deity of Lord Ranganath, and he was taking it to Sri Lanka to install it
there. This was after Ravana had been
killed. But the deity, when it reached that
place now known as Trishi where Sri Rangam temple now is, it wouldn't go any
further. They had to set the deity down
and they couldn't lift Him, so they had to build a temple right there. And
similarly, this land known as Kerala, the sea coast land where Guru-vayur
Mandir is situated was all land that was recovered from the ocean by
Parasurama, after He killed all the ksatriyas.
He wanted to go to a peaceful place, and He wanted to give some land
where the Brahmins could live and settle nicely without disturbance. So He stood at the edge of the land, and He
threw His axe Parasu across the ocean, and as far as the axe went before it
dropped into the ocean, this whole region known as Kerala rose up. He
established this deity, and He brought Brahmins from other regions. Actually it
is said that He brought the Brahmins from Bengal. Kerala is also a very great
Vaisnava place. Caitanya Mahaprabhu
visited these Visnu temples.
Once there was a devotee called Vipra
Narayana. This incident happened 190
years after the beginning of Kali-yuga.
He was a gardener at Sri Rangam, and he was totally absorbed in
gathering flowers and tulasi, making garlands for the deity. He was so absorbed that his mind was fixed on
seeing flowers and tulasi plants; he wouldn't see anything else. Scientists say there are some living entities
who, while looking for food, tune out everything else apart from the particular
thing that they feed. Similarly Vipra Narayana had this quality. When he was out in the garden looking for
tulasi manjaris or flowers, that was all he could see. If there was a snake between one flower bush
and another flower bush, he would simply go from one bush to the next, look at
the snake and say, "No flowers."
He was only interested in flowers. He was flowerive, not fruitive. In
that garden one day, there came a very beautiful prostitute named Devadevi, and
her older sister. This Devadevi was so
expert in displaying feminine charms that even kings were waiting in line to
see her with their crowns in their hands.
That was the rule she made, that when kings came they should have no
crowns on their head. She was so much in
demand, and of course she was very proud of her beauty and feminine qualities.
She was very expert in all the arts of singing and dancing and entertaining
men. She was most highly developed in
all these things. And of course, she was
confident that she was the most beautiful woman in creation, and very proud of
her ability to charm men. Devadevi and her older sister were coming to meet the
king. And on the way they came through
this Sri Rangam island, and they saw this beautiful island which was made by Vipra
Narayana. They wanted to take some rest
in there. Vipra Narayana came by, picking flowers and tulasi as usual. He was looking through the bushes selecting,
and as he was going through the bushes he came right up to Devadevi. He looked at her for an instant, but it
didn't register in his consciousness.
They were standing there with full ornaments and everything on, and when
Vipra Narayana saw them he simply said, "No flowers." And then he
just walked on and began to pick flowers from another bush. Devadevi was
somewhat offended by this. "Who is this man? What does he mean by saying 'no
flowers?' He is blind. He has no consciousness." Her sister,
who was a little bit older and wiser, said, "No no, he is Krsna
Conscious. That is why he doesn't look
at you. This is Vipra Narayana. He is a
great devotee, and we have no business with him. Don't get involved with
him." But Devadevi said, "No,
no. I don't care. He may be devotee, he may be whatever, but I
tell you I will make him my slave in nine days." Her sister was shocked that Devadevi would
even think of pursuing such a saintly person, and she said, "Well, if you
want to finish your existence, then you can do it. But it will be a great offence."
Devadevi said, "You wait and see.
On the ninth day from now, he will be at my feet. Instead of chanting
the name of Ranganath, he will chant my name.
And instead of crying for Ranganath, he will cry for me. And instead of plucking flowers he will be
plucking his sikha." The other girl
left the place, not wanting to hear these atrocities. So then Devadevi went up to Vipra Narayana,
and she began to manifest all different symptoms and postures of feminine
attraction. But this had no effect on
Vipra Narayana at all. Again, it was
like he just didn't see her or perceive her.
She was trying everything in the book, all the glances, all the
different smiles and poses, but it just didn't register in his consciousness.
"This is a real challenge," she thought, and just became more
enthusiastic. So she went away and dressed herself to look like a vairagini, a
woman who has renounced the world for spiritual life. She tied her hair, and put on very simple
cloth, kanthimala, tilaka and all the symptoms of a vaisnava. And then she came back to the garden with a
vina. She also learned that Vipra Narayana had written some songs in praise of
Lord Ranganath, so she learned these songs as she was very expert in singing. So she sat in the garden playing the vina,
and she was singing Vipra Narayana's songs to Lord Ranganath. And also because of being very expert in all
the feminine arts she was also crying. She could make herself cry and her voice
was quivering in emotion. It was a very
attractive presentation. So this Vipra Narayana couldn't help noticing, because
he was a devotee. When he heard her
singing his songs and when he looked and saw her displaying symptoms of intense
ecstasy and devotion to the Lord, he became inclined to speak with her. He went over and said, "You are
obviously a very nice devotee of the Lord.
What are you doing here?"
And she said, "Oh, my position is very unfortunate. You see, I am born in a family of prostitutes." In those days even the prostitution was a
family business, just like everything else in varnasrama, handed down in the
family. "I am born in a family of
prostitutes, and in nine days I will have reached the age where my mother will
engage me in prostitution. But I have no
interest in this. I want to become Lord
Ranganatha's devotee. So I am
heartbroken that in nine days my mother is going to come and make me into a
prostitute. This is such a horrible
fate. I have come here just to take
shelter of the devotees, maybe I will get the Lord's mercy somehow or
other." So Vipra Narayana said, "Yes, all right. I don't see that there's any problem, you can
stay here. You are a very nice singer,
so go on singing these songs in praise of Lord Ranganatha. When you're not singing you can make some
garlands. You can stay here as long as
you like." She was very happy, and
in this way they were associating. Then one day, by the arrangement of the
Lord, there was an intense downpour, and she was just sitting in the garden
singing. She used to just sing all day.
This was her service, and once in a while she used to make garlands. When it
started to rain, she just stayed in the garden and kept singing. Vipra Narayana
was sitting in his small kutir, out of the rain, but he began to feel guilty
because there was this young girl sitting out in the rain still singing, and
this moved his heart. "Such a great
devotee is she that even in the downpour she continues to sing. She is a woman, she is outside in the
rain. What am I doing in my
asrama?" So then, feeling guilty,
he came out and invited her, "You please go into my little hut and I will
remain outside." She went inside the hut and kept singing, and he was listening. And then suddenly she stopped singing. Vipra
Narayana was wondering, "What is happening now?" And next moment she was crying. He thought, "Maybe there is a snake there! There may be some danger, so I will have to
go." So he went in the little
hut. He found her and she was crying,
weeping, unhappy, putting on a good show.
"What's wrong?" he asked.
"In just a couple of days," she said, "mother's going to
come and take me away. She's found out
that I'm here. Oh, my lot is so
unfortunate, I don't know what's going to happen." And then she began to
cry again. This is the way a woman
cracks a man's heart. Vipra Narayana was feeling very sorry for her, and then
she was starting to shiver and sneeze to make out that she had caught a cold in
the rain, and he was feeling even more sorry for her. So then he gave her a change of clothing, she
was wearing his own clothes. And then,
after that, she started to turn it on.
"Look at our situation," she said. "Now we're together in your house, and
I'm even wearing your clothes. We're so
close, we've become so intimate in our last few days together, that you might
as well take me as your wife. And if you
do that, then my mother can't take me away." Vipra Narayana thought a
while, and then said, "Well, yes all right. As far as I'm concerned, you're a very nice
devotee and I like to be with you, and if this will stop you from crying and
feeling unhappy then we can get married." So then they got married, and
then in those few days she just completely roped him down, took over his heart
with all of her charms, and then on the ninth day she left and returned to her
mother's place to continue on being a prostitute. When Vipra Narayana found out
that Devadevi had left, he went mad. He
had become her slave. He was beside
himself with all kinds of grief, and he was running around trying to find out
where she lived, as he wanted to see her. Now in the meantime, Lord Ranganatha
seeing the condition of his devotee and knowing that if Vipra Narayana goes to
Devadevi that she's simply going to reject him, and then who knows what will
happen. There were five pots in front of Lord Ranganatha for the worship. He took one pot from the middle, a gold pot,
and he took the form of a Brahmin and went to Devadevi's house. He said, "Vipra Narayana has sent
me. My name is Sundaraja."
Sundaraja means, "King of beauty."
"This is his payment, so please accept him, and do him some
service." So when Devadevi's mother
saw this gold pot, her mouth opened. And then some time later Vipra Narayana
arrived. "Is Devadevi here?"
he asked. "Who are you?" the
mother asked. "She's my wife," Vipra Narayana said, and then the
mother invited him into the house. "Please
come in and sit down. Yes, we received your gold pot." Then she went to get Devadevi. "There's a man, one of your customers
here to see you, Vipra Narayana."
"That guy?" said Devadevi.
"He's just a sadhu. I only
stayed with him to break his renunciation, otherwise I have no interest in
him." The mother got on her case.
"What do you mean? He sent
over this golden pot. The guy's loaded!
Get out there and take care of him." So she went out, and just because her mother
wanted her to, she was putting on a whole act.
"Oh, you're here! Oh well
I..." and he was happy. Now in the
meantime the priests found out that one of the pots was missing, and a big
alarm was raised at Sri Rangam temple.
The king was brought into the mystery, and the king sent out his men,
and just like nowadays when the police go out to investigate a crime, they always
go to a certain section of town where the criminal types dwell, and that's also
the place where the prostitutes are. They were doing a house to house search there,
and when they came to Devadevi's house, they saw the pot. "How did you get
this pot?" And then Devadevi,
because she just wanted to get rid of Vipra Narayana, said, "Oh, he stole
it. This so-called sadhu was enjoying
with me, and to pay me off he stole this pot from the deity and sent it over
here. So you can see the character of
this man who you think is so saintly."
So in this way she was really trying to get him in trouble, but Vipra
Narayana was so respected that when they took him to see the king, the king
didn't believe it. Although the evidence
was strong, they had found Vipra Narayana in the house (a very embarrassing
situation) and the pot of the deity was there, the king didn't believe that
Vipra Narayana stole it. So the king went before Lord Ranganatha and
prayed. And Ranganath confirmed,
"No, it wasn't Vipra Narayana. It
was me. I sent the gold pot to the house
of the prostitute, because my devotee was indebted to her, so I thought I'd pay
off the debt and get him out of trouble.
So if you want to punish someone, you punish me. But you can't punish me, because it is my
pot." When all this was revealed to
the king, he had a long talk with Vipra Narayana and explained the real
situation, what had been going on and what this woman had been doing to
him. And then he banished this
prostitute Devadevi from his kingdom. However, somehow or other by this whole
situation she had become reformed in her consciousness. As soon as the cat was out of the bag and
everything was exposed, then she suddenly had a complete change of heart. She thought, "Well if I'm going to be
banished, then I might as well really take up the life of a renunciate
devotee." So then she made her
obeisances to Vipra Narayana, he gave her some instructions and then she went
and never returned. So this is a story that Srila Prabhupada mentions to
illustrate that a great devotee may have some accidental fall-down, but he
should not be criticized, because as Krsna says in Bhagavad-gita that such a
sadhu remains engaged in his devotional service, and he will very soon be
rectified. So we should know that things
sometimes do happen, but not jump on it and wag out tongues, trying to create a
big scandal, because that will be sadhu-ninda, and will be detrimental to our
spiritual life.
There was one king who was so sinful
that his body became black. He didn't
know what to do. So he asked his
pandita, "What should I do? I have
become black. I don't look good any
more." "It is because you are
so sinful," the pandita said.
"You have committed so many sins." The king said, "Yes, but there must be
some puja or something that will make my problem go." The pandita said, "You worship Krsna,
depend upon Krsna and pray to Him, and you will become all right." The king said, "That I am doing, but
could you do something else so that I can quickly get rid of this
problem?"
The pandita said, "Yes, we can do
it no problem. You make a golden form of
male and female, and I will do a yajna for 18 days. And then I will transform the sinful
reactions to those golden forms. You
should then invite a brahmana to take charity, and if you can find a brahamana
who will take the charity, then he will suffer from the sinful reactions and
you will become pure. Because you are the administrator of the land, and you
are ruler of the country, so I can do this especially for you." The king
said, "Yes, yes, please do it." So they made these golden forms and
yajna went on for 18 days. And when he
was doing his purnahoti then he took a teaspoon and touched the king's body,
and he touched the golden form with the teaspoon it became black. All the sinful reactions went in there. So then the king got up and said, "I
will give half of my kingdom to any brahmana who will accept the
charity." And immediately all the
brahmanas got up and left that place, because they saw in front of them that
the gold had become black, so who wants to take that? If golden colour becomes tar black, then who
will take that charity? This was not
Kali-yuga so in those days the brahmanas were still good. In Kali-yuga they will take any charity. Then
the king said, "Now what? The
sinful reactions are in the golden forms but nobody will take it." The pandita said, "We will wait for one
or two days. Somebody will take
it." The news went around the whole
city. Then one brahmana came from
another country. "What will I do
with your country? You are the king, and
you are supposed to protect your citizens.
Because you are in a responsible position, I will help you out and take
it. I don't want anything from
you." So then he received the
charity, and the king poured water on his hand and gave it to him. As soon as
he touched those, two figures came out of the golden forms, one male and one
female, and they looked so ugly. They
had cuts all over their bodies, and they looked like ghosts. Then they began to chase this brahmana. The
brahmana was running, and the king was following behind the whole scene on his
horse just to see what was happening. So
as soon as the brahmana came to a small lake, he just jumped in and stood
waist-deep, and he began to chant something. The king was watching, and he saw
that from the syllables that were pronounced in his mouth, four-handed Visnu
murtis came out. Not one or two, but
they just kept coming with conch, club, disc, and lotus and they filled up the
whole area. They were guarding the
lake. And when the ghosts came, some of
the Visnu-dutas looked at them and they immediately got burnt. And then the
Visnu-dutas disappeared.
So when the man came out, the king went
and touched his feet. He said, "I
won't tell anyone. You please give me
this secret mantra that produces these four-handed forms." But the brahmana said, "I don't know
what that mantra is." "You
don't know?" the king said.
"No," replied the brahmana, "because when I went to the
gurukula, I was so stupid that my gurukula principal kicked me out. He said, 'You are not fit to be in the
gurukula.' I didn't know what to do at
all, so in this way I was just wandering and wandering.
One day I came to a tree, and there was
a scholar there. This scholar said, 'Why
are you wasting your life like this? Why
don't you learn a verse?' So I said, 'I
don't have a brain. I have no masala, so
how can I learn verses?' He said, 'At least learn half a verse.' But I said, 'I
can't, Swamiji. I have no
intelligence.' 'Don't worry,' he said,
"I will teach you half a verse. I
will see that a fool will learn a verse from me so my education is good. So you sit here and I will forcibly make you
learn this verse. Chant like this, like
that, say like this...' He taught me
like this, and I memorised half a verse.
He then told me, 'You go on chanting this only. You don't need anything else.' So I kept on
chanting, chanting, chanting. And one
day while I was chanting, I found that there was a four-handed figure in front
of me. I thought, 'This is Bhagavan,' so
I said, 'Oh Visnu, you have come so quickly.'
And he said, 'Oh no, I am a Visnu-duta.'
I asked him, 'Where did you come from?'
'From the syllables of the verse you were chanting.' I said, 'You came from the syllables?' He said, 'Yes. If you look now, more are coming.' So I looked and I saw that these people are
coming out, and I was so excited. So
then I looked at them and asked, 'What should I do? Now that I have this siddhi, what should I
do?' They answered, 'Use it for the welfare of people. Don't commercialize it.' 'Yes, yes, I shall
use it for the welfare of people. And I
will go and teach everyone.' In this way I have been traveling around, and
whenever I saw anyone in difficulty I chanted this verse and then the
Visnu-dutas came and solved all the problems." The king then asked,
"What is that verse? Can you please
teach it to me?" The brahmana
replied, "Yes, I can teach you. Sit
here, and exactly as I have learnt I will teach you. I was a fool and I learnt. You are intelligent, so why should there be
any difficulty for you to learn? So here is the verse: Man-mana bhava mad-bhakto mad-yaji mam
namaskuru." "You don't know
the whole verse?" the king asked.
"No, that is the only part I know." So the king said, "If
half a verse of Gita is so good that it can remove all my sinful reactions,
what will happen if I learn the whole Bhagavad-gita?" So he came back to his country, and when he
got back he called his son and brought him to the throne. "Now sit in this chair," he told his
son. The boy sat on the throne, and the
king took his crown and put it on the boy's head. "Bye bye," he
said. "I'm going to learn
Bhagavad-gita." So he went somewhere and found a Vaisnava and said,
"Please teach me Bhagavad-gita."
"For what?" the guru asked.
"Because half a verse of Gita can produce Visnu-dutas and solve
people's problems. If I know the whole
Bhagavad-gita, I want to know what would happen." So then the guru told him, "If you learn
the whole Bhagavad-gita and its purport, then there will be no problem at
all. You will go to Vaikuntha. You will reach Krsna's place." So in this way the king learnt Bhagavad-gita.
MORAL:
These Bhagavad-gita verses are very powerful. If one knows the meaning, that is more
poweful. If one knows the conclusion, it
is even more powerful. And if one knows
the goal of that conclusion, which is devotional service, bhakti, then how much
more powerful is that?
There is the history of a devotee, I
think his name was Govinda dasa, a disciple of a great acarya who was living at
Tirupati, Tirumala. Ramanujacarya went to see him and for one year he learnt
Ramayana from that acarya. One of his disciples was this very unusual
disciple. He would always do things that
all the other devotees would criticize.
Whenever he made the bed of the guru, he would lay down on the bed
first. In the shastra it is said that
one should never lie on the bed of the guru.
So the others would criticize him, "What kind of a disciple is he,
lying on his guru's bed?" Ramanuja heard about this and in a humble way he
went and asked, "Prabhu, people are saying you are lying on the bed of the
guru. I saw this myself. I just wondered. You know that it says in sastra you could go
to hell for lying on the bed of the guru.
Could you explain to me why you are doing that?" And he said,
"I want to give a nice soft bed to my guru. It should be of proper firmness. How can I know it is proper unless I try it
out? If I go to hell, and my guru is
comfortable, I do not mind going to hell but let my guru be comfortable. That is my concern." Ramanuja was
surprised. "Oh! This is another
level! He was not lying on the bed for
his own enjoyment, but he was thinking how the guru would be comfortable."
Once he found that the same devotee putting his finger into a snake's mouth.
The snake was turning and making so many contortions and seemed to be
suffering. So Ramanuja wondered why he
was torturing the snake. Later he asked,
"You were putting your finger in the mouth of that cobra. Looked like you were causing it suffering,
what was the purpose?" He always
asked as a questiuon. He did not
chastise, he just asked. The devotee said, "Oh, that poor snake swallowed
some fruit, that stuck in the throat. It was choking, so I put my finger in to
take out the fruit and clear the throat of the snake. I could not stand to see the poor animal's
suffering." Then Ramanuja said,
"Why did you risk yuor life? It
could have bitten you!" He said,
"I could not stand to see it suffering."
There was a disciple of Ramanujacarya
who was blinded by a Shaivite king. The king wanted to kill Ramanujacarya, so
he sent his soldiers to capture Ramanuja, but this disciple came and warned
him, "You take my grhasta white clothes and I will take your clothes and
will go to represent you. If there is
any harm, it will come to me, not you.
You are more important for preaching the movement of Vaishnavism."
So they exchanged clothes, and Ramanuja, dressed in white, was smuggled out of
the country to the forest and mountains. The disciple was captured by the
king's men who thought that he was Ramanuja.
They asked him to accept that Siva was the Supreme Personality of
Godhead, the ultimate. But he said that Siva gets his powers from Visnu. They said, "For your indolence of not
accepting the supreme destroyer Lord Siva as the greatest, we will blind
you." So they blinded that devotee and later the king suffered from some
disease and died. Within a short time,
Ramanuja came back and found that devotee in the temple of Visnu kanchi
(Varadaraja in Kancipuram). He would
regularly be chanting before Varadaraja Krsna deity. His bhajans were so sweet that the Deity was
pleased and asked him, "Is there anything you want?" He said,
"My Lord, please forgive all those people who have tortured me." He kept doing his devotional service. Again
the Deity asked him, "You can have anything you want." He was such a great devotee that the Deity
would speak to him. Then he again asked
for forgiveness for some other devotees who at one time had done something
against him. Then he went to see
Ramanujacarya. Of course the word got
around that the Deity kept offering him to have whatever he wanted, but he
always kept asking things for other devotees, and he never wanted anything for
himself. Then Ramanuja said, "It is very nice you are begging for
everyone's forgiveness, but you have already given your body to the guru in his
service. Now your body is not complete, so it is not able to do the maximum
service it could. So if the Lord ever
offers to give you anything you want again, you must say that some property
that you have given to your guru is not able to do all its services to the guru
because it is incomplete. Therefore it
could be completed again so that it could do proper service. It will be useful in the service of the
guru." Like this Ramanuja gave some instructions. After that, the devotee
sang his bhajan and the Deity again asked, "You can have anything you
like." Then he stood up and offered
his prayers and said, "I have given some property to my guru. That property is not complete. That is, my
body which I have given to my guru has lost its eyesightt. May my guru's
property be restored to its full capability of doing service for him."
After getting the advice from Ramanuja, he asked in that mood. Otherwise he would never ask anything for
himself. But now he understood, "Okay, my body is also my guru's
property."
MORAL: This consciousness is called
nirmama, or "nothing is mine."
(See Bhagavad-gita 3.30 purport: mayi sarvani karmani)